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183 Times.
About the Independence of the Artist's Opinion and Its Analysis Based on Post-colonial Perspective under the Pretext of a Critical Look at the 183 Times by Greg Haines. [Volume 4, Number 5] |
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Afrasiab
A Comparative Study about Representation of Polo in Paintings with the Theme “Siavash Playing Polo in the Presence of Afrasiab” in Shahnameh [Volume 1, Number 2] |
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Akbar Nazemi.
A Reading of the Wall Slogans during the 1978 Islamic Repub- lic of Iran based on Pierre-Félix Guattari's Rhizomatic Theory: A Case Study of Akbar Nazemi's Photo Collection of Wall Slogans [Volume 3, Number 1] |
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Alfred Yaghoubzadeh.
Psychoanalytic Analysis of Consciousness of Death in the Works of Morteza Katouzian and Alfred Yaghoubzadeh (Case study: a painting and a photo with focus on martyrdom) [Volume 2, Number 3] |
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Ali Asghar Masoumi.
A Semiotic Analysis of Female Portraits, by Ali Asghar Masoumi, Based on Umberto Eco's Theory of Visual Codes [Volume 2, Number 3] |
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Anthology.
Comparative Study of Visual Features of Anthology in Shiraz School During the Eskandar Sultan and Ibrahim Sultan Timuri Period [Volume 2, Number 3] |
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Art creation.
A Comparison Between Art Creation Basics in Surrealism and Transcendental Philosophy [Volume 2, Number 1] |
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Art criticism.
A Psychological and Biographical Study of Diego Velázquez's Portrait of Pope Innocent X [Volume 4, Number 7] |
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Baroque.
Comparative Criticism of Portrait of Rembrandt's Mother and Portrait of James Whistler's Mother [Volume 4, Number 6] |
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Cartoon Saloon
Analysis of Imagination from Gilbert Durand's Point of View in "Wolfwalkers" Animated Film [Volume 4, Number 6] |
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Center for the Development of Documentary and Experimental Cinema (DEFC).
Study of the Reflection of Social Harms in Iranian Short Animations Presented in International Festivals
(case study: Animations of the Last Five Years of the DEFC) [Volume 2, Number 4] |
 |
Ceramic plate from Neyshabur
To Identify the hidden meanings of "DOT" in Sacred Art, Fo- cusing on "THE ASCENDING DOT"
CASE STUDY: Ceramic plate from Neyshābūr, belonging to Sāmānid dynasty [Volume 2, Number 2] |
 |
Comparative Study
The Art, Manifestation of Meaning in Form
(A common Idea Of Iranian Wisemans And Leo Tolstoy) [Volume 1, Number 2] |
 |
Contemporary Art
The Critical Discourse of "Institutional Critique": A Re-Examination [Volume 4, Number 4] |
 |
Criticism of Capitalism.
Criticism of Constructivism in Russian
Avant-Garde Artwork (A Case Study of Rudchenko's Works) [Volume 2, Number 2] |
 |
Dada movement.
Comparative study of the Concept of the Death of Art with Emphasis on Hegel, Danto and Belting [Volume 4, Number 5] |
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Diane Arbus
Reading the semiotics of Dian Arbes's photographs in the light of Roland Barthes' views [Volume 3, Number 3] |
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Distributors.
The Nature and Manner of The Distributional System of Iranian Modernist Paintings from the 1940s to the 1970s, Based on the Developed Doncept of "Cultural Diamond" [Volume 2, Number 3] |
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Documentary Photography
Resilience Amid the Worn-Out Walls; A Look at the Work "Pea Picker's Home" [Volume 4, Number 5] |
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Dodes'ka-den.
A Study of the Effect of Color on Characterization and Space Making in Akira Kurosawa's Cinema (Case study: Dodes'ka-den film) [Volume 4, Number 7] |
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Ethical Humanistic
The Relation between Art and Ethic in Humanist Though [Volume 1, Number 2] |
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Expression.
Feasibility Study of Interpreting Tea-House Paintings based on Expressive Theory of Art [Volume 2, Number 3] |
 |
Family Photos.
Criticism and Analysis Blood Line: Big Family Series, Painting by Zhang Xiaogang [Volume 2, Number 4] |
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Gerard Genette
Analyzing the Interplay between Text and Image in Teaching Art History to Adolescents through a Gérard Genette Lens: A Case Study of Two Works by Fausto Gilberti [Volume 4, Number 6] |
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Graphic.
Formulation of the New Wave Cinema Advertising Champ in the 1961 and 1971 Based on Bourdieu's Theory of Distinction [Volume 2, Number 4] |
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Great Mosque of Xi’an.
Examining the Influence of Chinese Architecture and Garden Design in the Great Mosque of Xi’an [Volume 4, Number 7] |
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Grief.
Analysis of the photo "Grief" by Dimitri Baltermants [Volume 3, Number 3] |
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Hegel
The Concept of Progress in Art [Volume 2, Number 1] |
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Iranian modern art
Writing Elements in Iranian Modern Art and analysing the Traditional and Modern Sources of The (What is the different of traditional calligraphy, irregular calligraphy, Letterism and other writing elements in Iranian art) [Volume 1, Number 2] |
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Karim Khan
Life and achievements of Abu’l Hasan Ghaffari Mustawf [Volume 1, Number 1] |
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Logotype.
Analyzing the Visual Capabilities of Persian Letters in the Cultural Written Signs via Studying Selected Works of Four Decades (1971-2011) [Volume 4, Number 5] |
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Meaning.
Comparative Study of the Concept of Food in the Representation of the Lower Class of Society with Emphasis on Two [Volume 2, Number 2] |
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Modernist Painting.
Reflection Analysis of Left Discourse in Iranian Contemporary Painting in the 40s and 60s With an approach to Michel Foucault’s views [Volume 1, Number 1] |
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Murdock.
Comparative Study of Hero's Journey Pattern by Joseph Campbell and Heroine's Journey Pattern by Maureen Murdock in Animations of the Spider-man and Brave [Volume 3, Number 1] |
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Nationalism.
Missing Discourses in the Green Remembrance Collection of Ghasem Hajizadeh by Emphasizing on the Analytical Approach of Fairclough [Volume 2, Number 1] |
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Nusratullah muslimian.
AComprative study of the reflection of the revolution in the works of Habibullah Saddeghi and Nusratullah Muslimian [Volume 4, Number 4] |
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Online Education.
Studying the production process of animations for children and teenagers during CIFEJ days during virtual education in Iran (case study: animations with the theme of Corona) [Volume 3, Number 2] |
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Otto Dix
An Introduction to Analysis of The Photo "The Painter Otto Dix and His Wife, Martha" By August Sander [Volume 3, Number 3] |
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Palestinian Art.
An Iconographical Study of The Palestinian Family painting by Sliman Mansour [Volume 4, Number 6] |
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Paul Rand.
Studying the Methods of Applying the Closure Principle while Maintaining Readability in Typography Posters (Case study: Paul Rand's Posters) [Volume 4, Number 7] |
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Paula Sher.
Analyzing the Intuitive Approach of the Letterism Movement and The Role of This Movement on Graphic Designers After 1960 (Case Study of The Works of David Carson and Paula Sher) [Volume 3, Number 2] |
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Perennial – Historian- Islamic Calligraphy- Annemarie Schimmel- Sheila Blair
The comparison between Perennial Philosophy and Historians about Islamic calligraphy (based on Annemarie Schimmel and Sheila Blair’s opininons) [Volume 3, Number 2] |
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Persian painting.
A mystical reading of “the Ascension of the Prophet Mohammad ﷺ” painting, based on Yaqzah (Awakening) from Abdullah Ansari's point of view [Volume 4, Number 7] |
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Pieter Bruegel the Elder
Grotesque and Painting
The Grotesque World of Pieter Bruegel the Elder [Volume 2, Number 1] |
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Plural category aproch
Analysis and evaluation of Mehdi Hosseini's works based on Noel Carroll's multi-category criticism (case study: three works exhibited in the Hoor Hall, autumn 2017) [Volume 4, Number 4] |
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Psychological criticism
A Psychological Study of Francis Bacon's Study after Velázquez's Portrait of Pope Innocent X [Volume 4, Number 6] |
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Qajars.
A Chronological Survey of Human Body Illustrations in Persian Anatomical Works (with an emphasis on the Mansur's Anatomy) [Volume 2, Number 3] |
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Ray al-eyn.
Imagery and Ray Al-eyn in Mirzadeh Eshghi’s ‘Seh Tabloe Maryam’ Script
Javad Alimohammadi Ardakani [Volume 1, Number 2] |
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Readymade
Interaction of contemporary painting with Installation art in Iran (A case study of 15 works by Iranian artists) [Volume 3, Number 2] |
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Rene Magritte.
A Study on the Rene Magritte’s (coming and going) photo [Volume 1, Number 1] |
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Rhizomatic Elements.
Studying the Rhizomatic Concept From Gilles Deleuze's Perspective in Interactive Performance Directing [Volume 4, Number 7] |
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Righteous Practice.
An Introduction to what and how religious criticism of artworks [Volume 1, Number 1] |
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Ritual and Symbolic Containers.
A Comparative Study on the Form and Function of Ritual and Symbolic Containers of Iran with an Emphasis on Rhytons [Volume 1, Number 1] |
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Safavi
Advanced Studies of Art Quarterly Zodiac Man: from idea to image [Volume 1, Number 1] |
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Sixteenth century.
Study of The Fight Between Carnival and Lent of Pieter Bruegel the Elder [Volume 2, Number 4] |
 |
Snow White.
Immortality of Life: A Mythical Critique of
Abbas Kiarostami's "Snow White" Photo Collection Based on Northrop Fry's Theory [Volume 3, Number 1] |
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Technology era.
Negation of originality in contemporary art [Volume 3, Number 3] |
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The Painter's Studio
A Study of the Feminist Approach to Critique and Analysis of Artworks with Emphasis on the "Painter's Studio" by Gustav Courbet [Volume 1, Number 2] |
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The Virgin and Child with Saint Anne.
Genetic Criticism and Analysis of Leonardo da Vinci's Painting The Virgin and Child with Saint Anne [Volume 2, Number 4] |
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Theoretical Patterns.
Study and Analysis of Decorative Patterns in the Style of Iranian Painting [Volume 3, Number 1] |
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Totalitarianism
An Introduction to Soviet Political Advertising and Its Manifestation in the Soviet Posters [Volume 2, Number 1] |
 |
Tremolo
A comparative study of the architecture of the Alhambra Palace and Recuerdos de la Alhambra by Francisco Tarrega [Volume 4, Number 4] |
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Typology.
A study of the influence of photography on the approach of serialism and repetition in conceptual art. With a case study of the works of Olafur Eliasson, William Wegman, Wolfgang Tillmans, and Hans Eijkelboom. [Volume 4, Number 6] |
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Urban Art.
A Study on the Architectural Facades of the Last Decade of Tehran Regarding the Principles of Murals [Volume 1, Number 1] |
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Victor Burgin
Art, a Baseless Mansion
A look at Victor Burgin's End of Art Theory [Volume 1, Number 2] |
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Vincent van Gogh
Genetic Criticism and the Study of Laura Letinsky, Jean Baptiste Simeon Chardin and Vincent van Gogh's Still Lifes [Volume 2, Number 2] |
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and icon.
Hazrat Abbas bin Ali (AS) icon’s referential ambivalence in the icon of survivors of Coffeehouse painting [Volume 1, Number 1] |
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anxiety
Studying the effect of painting therapy on reducing the anxiety of 6-8 year old children in Qazvin city [Volume 4, Number 4] |
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audience
"The Impact of Performance and Eulogy on Audience Perception with Emphasis on the Works of Abramovich" [Volume 4, Number 5] |
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children and adoles-
cents
Representation of cultural values corresponding to the audience of children and adolescents in Shakerestan animation [Volume 3, Number 1] |
 |
color in cinema
Analysis of the effect of color on the main character of Kieslowski's Red movie with the approach of Max Loescher [Volume 3, Number 3] |
 |
conceptual art.
The Square of Artist, Artwork,
Audience and Environment in the Art of Today [Volume 2, Number 1] |
 |
decorative facade
A Comparative Study of facade of Jurjir Mosque of Isfahan and Al-Aqmar Mosque of Cairo [Volume 1, Number 2] |
 |
economy of art
Analyzing the characteristics of artists and works entered into the 15th Tehran auction [Volume 3, Number 2] |
 |
expression of the sacred
Study of the possibility of realizing the theory of traditional art in cinema with emphasis on the opinions of Seyyed Hossein Nasr [Volume 4, Number 4] |
 |
fresco.
A Comparative Study of the Painting of
the Prophet Mohammad's (PBUH) birth in Jami' al-tawarikh and the Birth of Jesus's fresco by Giotto [Volume 2, Number 4] |
 |
image.
Imam Ali (AS) images referential ambivalence
in the paintings of survivors of Coffeehouse painting [Volume 2, Number 2] |
 |
memory work.
Social Function of Family Photography Albums [Volume 3, Number 3] |
 |
monster.
Comparative Study Monster Paintings of Mohamad Siahqalam to Soltan Mohamad Araqi [Volume 1, Number 1] |
 |
painting work
Consideration the Role of Copy, Imitation and Forgery in the Authenticity of Painting work [Volume 2, Number 1] |
 |
post structuralism
A Post-Structural Psychological Critic on
Worn Shoes of Vincent Van Gogh [Volume 1, Number 2] |
 |
postmodernism.
Analysis of conceptual fashion design and production Considering transitions in fashion design, from the second half of the twentieth century onwards [Volume 3, Number 1] |
 |
self-portrait
Comparative Study of Two Self-Portraits by Sofonisba Anguissola and Marlene Dumas with a Feminist Approach [Volume 3, Number 2] |
 |
traditional music.
A comparative study of Showed of the Concepts of Suhrawardi's Illumination Philosophy in Iranian Miniature and Traditional Music [Volume 2, Number 2] |
 |
twentieth century.
Study of Die Nacht of Max Beckmann [Volume 2, Number 3] |
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westernization.
An analysis of the influence of European art on Iranian lacquer paintings, from the middle of the Safavid period to the end of the Qajar period [Volume 4, Number 5] |