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Imagery and Ray Al-eyn in Mirzadeh Eshghi’s ‘Seh Tabloe Maryam’ Script
Javad Alimohammadi Ardakani
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Javad Alimohammadi Ardakani   , Faraz Yavari |
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Abstract: (330 Views) |
| The current study sought to investigate the imagery characteristics of Mirzadeh Eshghi’s ‘Seh Tabloe Maryam’ script. One of the purpose of this research has been to analyze and review this script, in the publication’s context, and as well as to adapt its formal features to the social groups’ consciousness in late Qajar era. This research seeks to answer the following questions: how literature for writers and intellectuals (specifically Mirzadeh Eshghi), as a mechanical reproduced text, turns into a political instrument? How this writers (specifically Mirzadeh Eshghi) represent their consciousness (and their social group’s consciousness) in their content and formal aspects of their artworks? Ultimately, this result has been concluded: referring to objectivity, as believing to science and translated new values, permeates different aspects of artworks. Meanwhile, Mirzadeh Eshghi’s ‘seh tabloe maryam’ exerts this believe in objectivity in many aspects, and for the first time presents a genre of point of view, narrator, and finally a genre of imagery, that altogether represents this epistemological shift. The present fundamental research has been done with a descriptive – analytical approach and the method of collecting library information and adopting the genetic structuralism approach. |
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| Keywords: Mirzadeh Eshghi, Genetic Structuralism, She Tabloe Maryam, Constitutional Poetry, Ray al-eyn. |
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Full-Text [PDF 297 kb]
(184 Downloads)
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Type of Study: Research |
Received: 2019/08/3 | Accepted: 2019/11/22 | Published: 2020/03/19
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