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Azimi Moghadam, Afsun
A Study of the Effect of Color on Characterization and Space Making in Akira Kurosawa's Cinema (Case study: Dodes'ka-den film) [Volume 4, Number 7] |
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Mohebbi, Behzad
A Study of the Effect of Color on Characterization and Space Making in Akira Kurosawa's Cinema (Case study: Dodes'ka-den film) [Volume 4, Number 7] |
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Khanjari, Yasaman
A Psychological and Biographical Study of Diego Velázquez's Portrait of Pope Innocent X [Volume 4, Number 7] |
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Khaksar, Ali
Examining the Influence of Chinese Architecture and Garden Design in the Great Mosque of Xi’an [Volume 4, Number 7] |
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Anvaary, Sahar
Examining the Influence of Chinese Architecture and Garden Design in the Great Mosque of Xi’an [Volume 4, Number 7] |
 |
Shayani Majd, Diba
Studying the Rhizomatic Concept From Gilles Deleuze's Perspective in Interactive Performance Directing [Volume 4, Number 7] |
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fatemi, farimah
Studying the Methods of Applying the Closure Principle while Maintaining Readability in Typography Posters (Case study: Paul Rand's Posters) [Volume 4, Number 7] |
 |
shavandi, susan
Studying the Methods of Applying the Closure Principle while Maintaining Readability in Typography Posters (Case study: Paul Rand's Posters) [Volume 4, Number 7] |
 |
Sadri, Mina
A mystical reading of “the Ascension of the Prophet Mohammad ﷺ” painting, based on Yaqzah (Awakening) from Abdullah Ansari's point of view [Volume 4, Number 7] |
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Bolkhari Ghehi, Hassan
A mystical reading of “the Ascension of the Prophet Mohammad ﷺ” painting, based on Yaqzah (Awakening) from Abdullah Ansari's point of view [Volume 4, Number 7] |
 |
Gholami Houjeghan, Fatemeh
A mystical reading of “the Ascension of the Prophet Mohammad ﷺ” painting, based on Yaqzah (Awakening) from Abdullah Ansari's point of view [Volume 4, Number 7] |
 |
Yaghoubi, Hananeh
A Reading of the Wall Slogans during the 1978 Islamic Repub- lic of Iran based on Pierre-Félix Guattari's Rhizomatic Theory: A Case Study of Akbar Nazemi's Photo Collection of Wall Slogans [Volume 3, Number 1] |
 |
Abbasi / khani, Faizeh al_ Sadat / mino
AComprative study of the reflection of the revolution in the works of Habibullah Saddeghi and Nusratullah Muslimian [Volume 4, Number 4] |
 |
Khanjari, Yasaman
A Psychological Study of Francis Bacon's Study after Velázquez's Portrait of Pope Innocent X [Volume 4, Number 6] |
 |
Azari Azqandi, Hadi
A study of the influence of photography on the approach of serialism and repetition in conceptual art. With a case study of the works of Olafur Eliasson, William Wegman, Wolfgang Tillmans, and Hans Eijkelboom. [Volume 4, Number 6] |
 |
Amiri, Nasrin
A study of the influence of photography on the approach of serialism and repetition in conceptual art. With a case study of the works of Olafur Eliasson, William Wegman, Wolfgang Tillmans, and Hans Eijkelboom. [Volume 4, Number 6] |
 |
sajadi, seyede masoome
Comparative Criticism of Portrait of Rembrandt's Mother and Portrait of James Whistler's Mother [Volume 4, Number 6] |
 |
Boudaghi, Zahra
An Iconographical Study of The Palestinian Family painting by Sliman Mansour [Volume 4, Number 6] |
 |
Ramezanmahi, Somayeh
Analyzing the Interplay between Text and Image in Teaching Art History to Adolescents through a Gérard Genette Lens: A Case Study of Two Works by Fausto Gilberti [Volume 4, Number 6] |
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Alvandi, Farzaneh
Analyzing the Interplay between Text and Image in Teaching Art History to Adolescents through a Gérard Genette Lens: A Case Study of Two Works by Fausto Gilberti [Volume 4, Number 6] |
 |
Khaksar, Ali
Analysis of Imagination from Gilbert Durand's Point of View in "Wolfwalkers" Animated Film [Volume 4, Number 6] |
 |
Mousavi, Zahra
Analysis of Imagination from Gilbert Durand's Point of View in "Wolfwalkers" Animated Film [Volume 4, Number 6] |
 |
Khaksar, Ali
An analysis of the influence of European art on Iranian lacquer paintings, from the middle of the Safavid period to the end of the Qajar period [Volume 4, Number 5] |
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Sanizadeh, Taha
An analysis of the influence of European art on Iranian lacquer paintings, from the middle of the Safavid period to the end of the Qajar period [Volume 4, Number 5] |
 |
زنگی, بهنام
Analyzing the Visual Capabilities of Persian Letters in the Cultural Written Signs via Studying Selected Works of Four Decades (1971-2011) [Volume 4, Number 5] |
 |
mohammadi, pouria
"The Impact of Performance and Eulogy on Audience Perception with Emphasis on the Works of Abramovich" [Volume 4, Number 5] |
 |
forouzesh, mohamadali
"The Impact of Performance and Eulogy on Audience Perception with Emphasis on the Works of Abramovich" [Volume 4, Number 5] |
 |
Mahmoodi Nosar, Milad
About the Independence of the Artist's Opinion and Its Analysis Based on Post-colonial Perspective under the Pretext of a Critical Look at the 183 Times by Greg Haines. [Volume 4, Number 5] |
 |
Mesforush, Maryam
Resilience Amid the Worn-Out Walls; A Look at the Work "Pea Picker's Home" [Volume 4, Number 5] |
 |
Medghalchi, Mehrnaz
Comparative study of the Concept of the Death of Art with Emphasis on Hegel, Danto and Belting [Volume 4, Number 5] |
 |
Mohamadi Tamanayi, Nafiseh
Criticism and Analysis Blood Line: Big Family Series, Painting by Zhang Xiaogang [Volume 2, Number 4] |
 |
mahmoodzadeh, hamid
Genetic Criticism and Analysis of Leonardo da Vinci's Painting The Virgin and Child with Saint Anne [Volume 2, Number 4] |
 |
Enayati, Nazanin
A Comparative Study of the Painting of
the Prophet Mohammad's (PBUH) birth in Jami' al-tawarikh and the Birth of Jesus's fresco by Giotto [Volume 2, Number 4] |
 |
shokri, Mohammad
Study of the Reflection of Social Harms in Iranian Short Animations Presented in International Festivals
(case study: Animations of the Last Five Years of the DEFC) [Volume 2, Number 4] |
 |
khani, minoo
Study of the Reflection of Social Harms in Iranian Short Animations Presented in International Festivals
(case study: Animations of the Last Five Years of the DEFC) [Volume 2, Number 4] |
 |
heydarimoghadam, Azadeh
Study of the Reflection of Social Harms in Iranian Short Animations Presented in International Festivals
(case study: Animations of the Last Five Years of the DEFC) [Volume 2, Number 4] |
 |
hOMAUNI, Hanieh
Study of The Fight Between Carnival and Lent of Pieter Bruegel the Elder [Volume 2, Number 4] |
 |
fadavi, Mohammad
Formulation of the New Wave Cinema Advertising Champ in the 1961 and 1971 Based on Bourdieu's Theory of Distinction [Volume 2, Number 4] |
 |
Bolkhari Ghahi, Hassan
Formulation of the New Wave Cinema Advertising Champ in the 1961 and 1971 Based on Bourdieu's Theory of Distinction [Volume 2, Number 4] |
 |
rahmani, najibeh
Formulation of the New Wave Cinema Advertising Champ in the 1961 and 1971 Based on Bourdieu's Theory of Distinction [Volume 2, Number 4] |
 |
Yazdanpanah, Mostafa
The Critical Discourse of "Institutional Critique": A Re-Examination [Volume 4, Number 4] |
 |
naghshbandi, fahime
Analysis and evaluation of Mehdi Hosseini's works based on Noel Carroll's multi-category criticism (case study: three works exhibited in the Hoor Hall, autumn 2017) [Volume 4, Number 4] |
 |
Mardani, MaleehaH
Studying the effect of painting therapy on reducing the anxiety of 6-8 year old children in Qazvin city [Volume 4, Number 4] |
 |
Haji Seyed Javadi, Seyed Mohsen
Studying the effect of painting therapy on reducing the anxiety of 6-8 year old children in Qazvin city [Volume 4, Number 4] |
 |
naghash zade, masoud
Study of the possibility of realizing the theory of traditional art in cinema with emphasis on the opinions of Seyyed Hossein Nasr [Volume 4, Number 4] |
 |
khosravi, mahdi
Study of the possibility of realizing the theory of traditional art in cinema with emphasis on the opinions of Seyyed Hossein Nasr [Volume 4, Number 4] |
 |
Khiabani, Farnaz
A comparative study of the architecture of the Alhambra Palace and Recuerdos de la Alhambra by Francisco Tarrega [Volume 4, Number 4] |
 |
Dadkhah, Pejman
A comparative study of the architecture of the Alhambra Palace and Recuerdos de la Alhambra by Francisco Tarrega [Volume 4, Number 4] |
 |
Mirhasani, Maryam Sadat
Analysis of the photo "Grief" by Dimitri Baltermants [Volume 3, Number 3] |
 |
Karimi, Shakila
Negation of originality in contemporary art [Volume 3, Number 3] |
 |
Zainalzadeh, Yusof
Social Function of Family Photography Albums [Volume 3, Number 3] |
 |
Payamani, Kolsum
Social Function of Family Photography Albums [Volume 3, Number 3] |
 |
samanfar, shima
Analysis of the effect of color on the main character of Kieslowski's Red movie with the approach of Max Loescher [Volume 3, Number 3] |
 |
Forouzesh, MohammadAli
Analysis of the effect of color on the main character of Kieslowski's Red movie with the approach of Max Loescher [Volume 3, Number 3] |
 |
Abedinzadeh, Haniyeh
Reading the semiotics of Dian Arbes's photographs in the light of Roland Barthes' views [Volume 3, Number 3] |
 |
Dadkhah, Pejman
Reading the semiotics of Dian Arbes's photographs in the light of Roland Barthes' views [Volume 3, Number 3] |
 |
Tadayon, Soraya
An Introduction to Analysis of The Photo "The Painter Otto Dix and His Wife, Martha" By August Sander [Volume 3, Number 3] |
 |
Emami, Yassaman
Comparative Study of Two Self-Portraits by Sofonisba Anguissola and Marlene Dumas with a Feminist Approach [Volume 3, Number 2] |
 |
Taherkhani, Shadi
Analyzing the Intuitive Approach of the Letterism Movement and The Role of This Movement on Graphic Designers After 1960 (Case Study of The Works of David Carson and Paula Sher) [Volume 3, Number 2] |
 |
Taheri, Alireza
The comparison between Perennial Philosophy and Historians about Islamic calligraphy (based on Annemarie Schimmel and Sheila Blair’s opininons) [Volume 3, Number 2] |
 |
Kardar Tehran, Delaram
The comparison between Perennial Philosophy and Historians about Islamic calligraphy (based on Annemarie Schimmel and Sheila Blair’s opininons) [Volume 3, Number 2] |
 |
farhang, mahnoush
Studying the production process of animations for children and teenagers during CIFEJ days during virtual education in Iran (case study: animations with the theme of Corona) [Volume 3, Number 2] |
 |
Farhang Khaghanpour, mahgan
Studying the production process of animations for children and teenagers during CIFEJ days during virtual education in Iran (case study: animations with the theme of Corona) [Volume 3, Number 2] |
 |
kassaie, leila
Studying the production process of animations for children and teenagers during CIFEJ days during virtual education in Iran (case study: animations with the theme of Corona) [Volume 3, Number 2] |
 |
sajadi, masoome
Analyzing the characteristics of artists and works entered into the 15th Tehran auction [Volume 3, Number 2] |
 |
agharabi, kiana
Interaction of contemporary painting with Installation art in Iran (A case study of 15 works by Iranian artists) [Volume 3, Number 2] |
 |
Sibouyeh, Narges
Immortality of Life: A Mythical Critique of
Abbas Kiarostami's "Snow White" Photo Collection Based on Northrop Fry's Theory [Volume 3, Number 1] |
 |
mosayebi, Mahshid
Analysis of conceptual fashion design and production Considering transitions in fashion design, from the second half of the twentieth century onwards [Volume 3, Number 1] |
 |
Hosseinzadeh, Yahya
Study and Analysis of Decorative Patterns in the Style of Iranian Painting [Volume 3, Number 1] |
 |
Hosseini sadr, Alireza
Study and Analysis of Decorative Patterns in the Style of Iranian Painting [Volume 3, Number 1] |
 |
Jazebi, Fatemeh
Comparative Study of Hero's Journey Pattern by Joseph Campbell and Heroine's Journey Pattern by Maureen Murdock in Animations of the Spider-man and Brave [Volume 3, Number 1] |
 |
Zeynolabedini, Payam
Comparative Study of Hero's Journey Pattern by Joseph Campbell and Heroine's Journey Pattern by Maureen Murdock in Animations of the Spider-man and Brave [Volume 3, Number 1] |
 |
Radmanesh, Abtin
Grotesque and Painting
The Grotesque World of Pieter Bruegel the Elder [Volume 2, Number 1] |
 |
Moghadam Kuhi, Naser
The Concept of Progress in Art [Volume 2, Number 1] |
 |
Pirdehghan, Saharnaz
A Study on the Architectural Facades of the Last Decade of Tehran Regarding the Principles of Murals [Volume 1, Number 1] |
 |
Kafshchian Moghadam, Asghar
A Study on the Architectural Facades of the Last Decade of Tehran Regarding the Principles of Murals [Volume 1, Number 1] |
 |
Sadeghi, Habibolah
Hazrat Abbas bin Ali (AS) icon’s referential ambivalence in the icon of survivors of Coffeehouse painting [Volume 1, Number 1] |
 |
Salimi Namin, Hajar
Hazrat Abbas bin Ali (AS) icon’s referential ambivalence in the icon of survivors of Coffeehouse painting [Volume 1, Number 1] |
 |
Rezaeei, Ghazaleh
Genetic Criticism and the Study of Laura Letinsky, Jean Baptiste Simeon Chardin and Vincent van Gogh's Still Lifes [Volume 2, Number 2] |
 |
GHolami Hujaghan, Fatemeh
Psychoanalytic Analysis of Consciousness of Death in the Works of Morteza Katouzian and Alfred Yaghoubzadeh (Case study: a painting and a photo with focus on martyrdom) [Volume 2, Number 3] |
 |
Dastyari, Elnaz
Feasibility Study of Interpreting Tea-House Paintings based on Expressive Theory of Art [Volume 2, Number 3] |
 |
Zargham, Adham
Feasibility Study of Interpreting Tea-House Paintings based on Expressive Theory of Art [Volume 2, Number 3] |
 |
FarokhFar, Farzaneh
Comparative Study of Visual Features of Anthology in Shiraz School During the Eskandar Sultan and Ibrahim Sultan Timuri Period [Volume 2, Number 3] |
 |
Nouhi, Noushin
Comparative Study of Visual Features of Anthology in Shiraz School During the Eskandar Sultan and Ibrahim Sultan Timuri Period [Volume 2, Number 3] |
 |
hOMAUNI, Hanieh
Study of Die Nacht of Max Beckmann [Volume 2, Number 3] |
 |
Poor Ghasem, Fahimeh
A Semiotic Analysis of Female Portraits, by Ali Asghar Masoumi, Based on Umberto Eco's Theory of Visual Codes [Volume 2, Number 3] |
 |
Jafarzadeh, Maryam
A Semiotic Analysis of Female Portraits, by Ali Asghar Masoumi, Based on Umberto Eco's Theory of Visual Codes [Volume 2, Number 3] |
 |
Kafshchian Moghadam, Asghar
A Semiotic Analysis of Female Portraits, by Ali Asghar Masoumi, Based on Umberto Eco's Theory of Visual Codes [Volume 2, Number 3] |
 |
Bolkhari Ghahi, Hassan
The Nature and Manner of The Distributional System of Iranian Modernist Paintings from the 1940s to the 1970s, Based on the Developed Doncept of "Cultural Diamond" [Volume 2, Number 3] |
 |
Adel, Maryam
The Nature and Manner of The Distributional System of Iranian Modernist Paintings from the 1940s to the 1970s, Based on the Developed Doncept of "Cultural Diamond" [Volume 2, Number 3] |
 |
Movahed, Mehdi
A Chronological Survey of Human Body Illustrations in Persian Anatomical Works (with an emphasis on the Mansur's Anatomy) [Volume 2, Number 3] |
 |
Khani, Minoo
A comparative study of Showed of the Concepts of Suhrawardi's Illumination Philosophy in Iranian Miniature and Traditional Music [Volume 2, Number 2] |
 |
Azizi, Mohammad Reza
A comparative study of Showed of the Concepts of Suhrawardi's Illumination Philosophy in Iranian Miniature and Traditional Music [Volume 2, Number 2] |
 |
Seraji, Sepehr
Comparative Study of the Concept of Food in the Representation of the Lower Class of Society with Emphasis on Two [Volume 2, Number 2] |
 |
Delfani Baluch, Fatemeh
Comparative Study of the Concept of Food in the Representation of the Lower Class of Society with Emphasis on Two [Volume 2, Number 2] |
 |
Amuyian, Forugh
Criticism of Constructivism in Russian
Avant-Garde Artwork (A Case Study of Rudchenko's Works) [Volume 2, Number 2] |
 |
Mojahedi, Faezeh
To Identify the hidden meanings of "DOT" in Sacred Art, Fo- cusing on "THE ASCENDING DOT"
CASE STUDY: Ceramic plate from Neyshābūr, belonging to Sāmānid dynasty [Volume 2, Number 2] |
 |
Salimi Namin, Hajar
Imam Ali (AS) images referential ambivalence
in the paintings of survivors of Coffeehouse painting [Volume 2, Number 2] |
 |
amini, Mohammad sadra
A Comparison Between Art Creation Basics in Surrealism and Transcendental Philosophy [Volume 2, Number 1] |
 |
Taghavi, Taranom
Missing Discourses in the Green Remembrance Collection of Ghasem Hajizadeh by Emphasizing on the Analytical Approach of Fairclough [Volume 2, Number 1] |
 |
Pahlevan Noudeh, Mahboubeh
Missing Discourses in the Green Remembrance Collection of Ghasem Hajizadeh by Emphasizing on the Analytical Approach of Fairclough [Volume 2, Number 1] |
 |
shamkhani, Mohammad
The Square of Artist, Artwork,
Audience and Environment in the Art of Today [Volume 2, Number 1] |
 |
Yousefiani, Azin
Consideration the Role of Copy, Imitation and Forgery in the Authenticity of Painting work [Volume 2, Number 1] |
 |
Zargham, Adham
Consideration the Role of Copy, Imitation and Forgery in the Authenticity of Painting work [Volume 2, Number 1] |
 |
Moeini, Tayebeh
The Relation between Art and Ethic in Humanist Though [Volume 1, Number 2] |
 |
Fadaei, Mohammad
Writing Elements in Iranian Modern Art and analysing the Traditional and Modern Sources of The (What is the different of traditional calligraphy, irregular calligraphy, Letterism and other writing elements in Iranian art) [Volume 1, Number 2] |
 |
Khani, Minoo
A Comparative Study about Representation of Polo in Paintings with the Theme “Siavash Playing Polo in the Presence of Afrasiab” in Shahnameh [Volume 1, Number 2] |
 |
Rahmani, Mojtaba
A Comparative Study about Representation of Polo in Paintings with the Theme “Siavash Playing Polo in the Presence of Afrasiab” in Shahnameh [Volume 1, Number 2] |
 |
Moghadam Kuhi, Naser
A Post-Structural Psychological Critic on
Worn Shoes of Vincent Van Gogh [Volume 1, Number 2] |
 |
Radmanesh, Abtin
Art, a Baseless Mansion
A look at Victor Burgin's End of Art Theory [Volume 1, Number 2] |
 |
Enayati, Nazanin
A Comparative Study of facade of Jurjir Mosque of Isfahan and Al-Aqmar Mosque of Cairo [Volume 1, Number 2] |
 |
Adel, Maryam
A Study of the Feminist Approach to Critique and Analysis of Artworks with Emphasis on the "Painter's Studio" by Gustav Courbet [Volume 1, Number 2] |
 |
Yavari, Faraz
Imagery and Ray Al-eyn in Mirzadeh Eshghi’s ‘Seh Tabloe Maryam’ Script
Javad Alimohammadi Ardakani [Volume 1, Number 2] |
 |
Alimohammadi Ardakani, javad
Imagery and Ray Al-eyn in Mirzadeh Eshghi’s ‘Seh Tabloe Maryam’ Script
Javad Alimohammadi Ardakani [Volume 1, Number 2] |
 |
Bolkhari Ghahi, Hassan
The Art, Manifestation of Meaning in Form
(A common Idea Of Iranian Wisemans And Leo Tolstoy) [Volume 1, Number 2] |
 |
nadafian, minoo
An Introduction to Soviet Political Advertising and Its Manifestation in the Soviet Posters [Volume 2, Number 1] |
 |
Mirzayeemehr, Ali Alsqar
Comparative Study Monster Paintings of Mohamad Siahqalam to Soltan Mohamad Araqi [Volume 1, Number 1] |
 |
Ali Akbari, Maryam
A Study on the Rene Magritte’s (coming and going) photo [Volume 1, Number 1] |
 |
Movahed, Mahdi
Advanced Studies of Art Quarterly Zodiac Man: from idea to image [Volume 1, Number 1] |
 |
Keramat, Zohreh
An Introduction to what and how religious criticism of artworks [Volume 1, Number 1] |
 |
Bolkhari, hasan
A Comparative Study on the Form and Function of Ritual and Symbolic Containers of Iran with an Emphasis on Rhytons [Volume 1, Number 1] |
 |
Amoian, Forogh
A Comparative Study on the Form and Function of Ritual and Symbolic Containers of Iran with an Emphasis on Rhytons [Volume 1, Number 1] |
 |
Pahlavan, Mahboobeh
Reflection Analysis of Left Discourse in Iranian Contemporary Painting in the 40s and 60s With an approach to Michel Foucault’s views [Volume 1, Number 1] |
 |
Taghavi, Taranom
Reflection Analysis of Left Discourse in Iranian Contemporary Painting in the 40s and 60s With an approach to Michel Foucault’s views [Volume 1, Number 1] |
 |
Azhand, Yaghoub
Life and achievements of Abu’l Hasan Ghaffari Mustawf [Volume 1, Number 1] |