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Missing Discourses in the Green Remembrance Collection of Ghasem Hajizadeh by Emphasizing on the Analytical Approach of Fairclough
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Mahboubeh Pahlevan Noudeh   , Taranom Taghavi |
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Abstract: (74 Views) |
| Art is presented as a language and a system of concepts and ideas inspired by dominant society, discourse, and ideology, and critical discourse analysis approaches by studying the relation of language, power, ideology, and discourse provide the opportunity to picture society and Its relationships and discourses, and why we create certain works at specific times. The purpose of this research is to analyze the mythical and national hero's narration of the artist's narration through the elements of speech in his works. To this end, Norman Fairclough's critical approach to discourse analysis at three levels of description, interpretation, and explanation has examined the salient relationships of image vocabulary in the important works of Ghasem Hajizadeh's "Green remembrance" collection. Studies show that the artist's placement in the decades of identity in Iranian history, in contrast to the gentility and nationalist discourses, the Protester left, national nationalism, and the discourse of return to rural romantic nostalgia, makes historical, national, and rural myths among the contrasting urban discourses. Ghasem Hajizadeh presents a complex narrative of multi-disciplinary heroism in the multifaceted atmosphere of Iranian history and situates it between national and religious traditions and post-constitutional imported discourses such as leftist discourse and nationalism. |
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| Keywords: Discourse Space, Narrative, Return Thought, Mirza Epic, Nationalism. |
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Full-Text [PDF 4312 kb]
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Type of Study: Research |
Received: 2019/10/8 | Accepted: 2020/02/16 | Published: 2020/06/20
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