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Analysis of Imagination from Gilbert Durand's Point of View in "Wolfwalkers" Animated Film
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Zahra Mousavi   , Ali Khaksar |
| University of Tehran |
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Abstract: (134 Views) |
Wolfwalkers animated film reflects Ireland's imaginary and mythical atmosphere. This research explores the themes in the imaginations depicted in the Wolfwalkers animated film. Gilbert Doran's analytical approach, which focuses on theme and myth, has been used to analyze the fictional elements. This qualitative research is practical in its purpose and employs a descriptive-analytical method. Information has been collected from library sources. The aim is to provide conceptual guidance for producing imaginative animations based on indigenous culture. The findings indicate that the Wolfwalker character symbolizes contradictions and associations (human/wolf, sleep/awakening) within the dramatic structure of The Nocturnal Order Furthermore, Tomm Moore, the director, incorporates a reproduction of Celtic Christianity, blending theism with Irish polytheism within the night system structure. The hidden myth in this animated film references Jesus, and the circle and square forms play a significant role in expressing the film's themes. Thus, the oppositions of The Nocturnal Order against The Diurnal Order, Celtic magic against Christian divinity, nature against man, woman against man, and freedom against obedience are reflected in the contrasting forms of circle and square.
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| Keywords: Gilbert Durand, myth, Wolfwalkers animated film, Cartoon Saloon |
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Full-Text [PDF 743 kb]
(229 Downloads)
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Type of Study: Applicable |
Received: 2024/05/9 | Accepted: 2024/08/19 | Published: 2024/12/19
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