[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
Home::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Registration::
Contact us::
Site Facilities::
::
Search in website

Advanced Search
..
Receive site information
Enter your Email in the following box to receive the site news and information.
..
:: Volume 3, Issue 3 (3-2024) ::
3 2024, 3(3): 97-114 Back to browse issues page
Reading the semiotics of Dian Arbes's photographs in the light of Roland Barthes' views
Pejman Dadkhah , Haniyeh Abedinzadeh
Iqbal Lahori Institute of Higher Education, Mashhad, Iran
Abstract:   (72 Views)
Photography was created to make the world easier to understand, but the result was the opposite. A photo that was taken in America and had concepts of culture, language, race and even climate created a different understanding for a viewer on the other side of the world. So that it was necessary for him to understand and decode the image in the details of those cultural and linguistic concepts. Lack of complete knowledge of these concepts leads to misunderstanding.Roland Barthes proposed the method of semiotics of "explicit meaning" and"implicit meaning" and said that in order to understand both of these, all the surrounding information of the work should be understood and then analyze that work. This research analyzed the photos of Dian Arbus. In this way, according to the elements in the photos, gestures, age, culture, etc., the signifiers have been determined and the primary and then the secondary signifiers or the implicit signifiers have been described based on the background of the photo. The research method in this study was analytical-descriptive and based on the library method. The photos of Arbus were black and white and had a definite square shape, and in most of the photos, the subject was placed in the middle of the frame, staring at the camera lens and frozen, bringing the viewer into the cold and soulless world of the photo. What was the purpose of Dian Arbus photography? According to the analysis and interpretation of Arbus's photos and taking into account the historical conditions of America in the 60s, he depicted another world so as not to be forgotten. Despite the flaws and defects of most of the Arbus subjects, they were still beautiful and remarkable. Arbus showed in his photos that humanity, kindness and love exist above everything else in this world.
 
Keywords: Roland Barthes, semiotics, explicit signification, implicit signification, Diane Arbus
Full-Text [PDF 1299 kb]   (23 Downloads)    
Type of Study: Research |
Received: 2024/01/29 | Accepted: 2024/03/20 | Published: 2024/03/19
Send email to the article author

Add your comments about this article
Your username or Email:

CAPTCHA


XML   Persian Abstract   Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

Dadkhah P, Abedinzadeh H. Reading the semiotics of Dian Arbes's photographs in the light of Roland Barthes' views. 3 2024; 3 (3) :97-114
URL: http://art-studies.ir/article-1-120-en.html


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Volume 3, Issue 3 (3-2024) Back to browse issues page
Advanced Studies of Art
Persian site map - English site map - Created in 0.05 seconds with 37 queries by YEKTAWEB 4645