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:: Volume 1, Issue 1 (12-2019) ::
3 2019, 1(1): 67-84 Back to browse issues page
An Introduction to what and how religious criticism of artworks
Zohreh Keramat
Abstract:   (374 Views)
The field of art criticism is very broad insomuch that a lot of various types of schools and ideologies have been in present over the years, and various approaches have emerged in this field. But they generally have humanistic and irreligious basis. Therefore, the vacancy of religious criticism and its divine principles and foundations, among approaches and types of art criticism, has provided the basis for questioning about what and how this criticism and its principles and characteristics are. This research is a undamental theoretical one, and in terms of methodology is a libraries and analytical. According to this research, religion [in its true sense, means Islam] seems to be the proper basis for reading, interpreting, analyzing, and criticizing all human affairs, such as artworks. In addition, it does not have many other disadvantages that the other criticisms have. The basics and principles of this criticism can be deduced from the main sources and texts of religion. This article, is briefly concerned about what and some of the most important principles of religious criticism of artworks.
Keywords: Criticism, Religious Criticism of Artworks, Divine Limits, Truth, Faith, Righteous Practice.
Full-Text [PDF 286 kb]   (247 Downloads)    
Type of Study: Research |
Received: 2019/07/2 | Accepted: 2019/10/26 | Published: 2019/12/21
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Keramat Z. An Introduction to what and how religious criticism of artworks. 3 2019; 1 (1) :67-84
URL: http://art-studies.ir/article-1-52-en.html


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Volume 1, Issue 1 (12-2019) Back to browse issues page
Advanced Studies of Art
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