[Home ] [Archive]   [ فارسی ]  
:: Main :: About :: Current Issue :: Archive :: Search :: Submit :: Contact ::
Main Menu
Home::
Journal Information::
Articles archive::
For Authors::
For Reviewers::
Registration::
Contact us::
Site Facilities::
::
Search in website

Advanced Search
..
Receive site information
Enter your Email in the following box to receive the site news and information.
..
:: Volume 5, Issue 9 (9-2025) ::
3 2025, 5(9): 43-66 Back to browse issues page
Examining the Political and Colonial Functions of Landscape Photography in the Geographical Construction of the Holy Land, 1850–1950
Sona Moayedzadeh , Mohammad Khodadadi motarjemzadeh
Farabi Campus, Tehran University of Art, Iran.
Abstract:   (7 Views)
This study investigates the political and colonial functions of landscape photography in the geographical construction of the Holy Land and analyzes the representational strategies through which the West appropriated this territory. Adopting a critical framework, it seeks to address how landscape photography, as a visual, ideological, and discursive medium, facilitated the colonial occupation of biblical sites while simultaneously contributing to the construction and reconfiguration of the Holy Land’s geography. To this end, the research examines photographs of landscapes and sites in the Holy Land taken between the late nineteenth and the mid-twentieth centuries. Employing a qualitative, historical-analytical methodology, the data have been collected from library and archival sources. The findings reveal that, during this period, landscape photography operated as a powerful instrument in Western imperial projects across the region. Through the systematic omission of historical, cultural, and human traces, it produced a new visual geography of the Holy Land that legitimized Zionist identity and the territorial appropriation of land. Furthermore, by linking local sites to European religious narratives, landscape photography constructed a sacred visual domain that played a central role in shaping the geography of Zionist religiosity and in reproducing an idealized, utopian image of the Holy Land. The study concludes that a critical reinterpretation of such landscape photographs not only enriches the understanding of the history of photography but also offers insight into contemporary geopolitical tensions in the Middle East, particularly the enduring territorial conflicts between Palestine and Israel.
 
Article number: 3
Keywords: Colonial politics, landscape photography, geographical construction, Holy Land, Orientalism.
Full-Text [DOCX 3328 kb]   (4 Downloads)    
Type of Study: Research |
Received: 2025/10/10 | Accepted: 2025/11/18 | Published: 2025/11/18
Send email to the article author

Add your comments about this article
Your username or Email:

CAPTCHA


XML   Persian Abstract   Print


Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:

moayedzadeh S, khodadadi motarjemzadeh M. Examining the Political and Colonial Functions of Landscape Photography in the Geographical Construction of the Holy Land, 1850–1950. 3 2025; 5 (9) : 3
URL: http://art-studies.ir/article-1-180-en.html


Rights and permissions
Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Volume 5, Issue 9 (9-2025) Back to browse issues page
Advanced Studies of Art
Persian site map - English site map - Created in 0.08 seconds with 35 queries by YEKTAWEB 4722