The profound transformations in contemporary art and culture have reignited the discourse surrounding the theory of the "death of art" among philosophers and theorists. This concept, historically rooted in philosophical and theoretical frameworks within the history of art, has been the subject of extensive discussion and analysis. In the nineteenth century, Hegel made significant contributions to this discourse by introducing the notion of the "Phenomenology of Spirit" and expanding it to include art, culminating in his proclamation of the death of art during the Romantic period. The advent of the modern era brought about a radical shift in the understanding of aesthetics. Previously, beauty was regarded as an inherent and objective quality of objects and phenomena. However, the modern era introduced a redefined perspective on this concept. This study investigates the concept of the "death of art," examining its underlying reasons and manifestations from the perspectives of two contemporary philosophers and theorists, Arthur Danto and Hans Belting. Employing a descriptive-analytical approach, this research draws upon library resources and scholarly studies. The inquiry begins with an overview of Hegel’s theories concerning the death of art during the Romantic era, followed by an exploration of contemporary viewpoints, particularly those of Arthur Danto. The study delves into the Pop Art movement, with a specific emphasis on the works of Andy Warhol, and further examines the impact of the Dada movement and the contributions of Marcel Duchamp in shaping the concept of art's end. Additionally, the study investigates Hans Belting's theory, which offers a fresh perspective on the death of art, focusing on the transformation and redefinition of the role and status of art in contemporary societies. The aim of this research is to elucidate and critically analyze the concept of the "death of art," offering a comprehensive understanding of this notion and illustrating how it can enhance our comprehension of the evolution of art in the modern world. Through this analytical lens, the study seeks to examine the interplay between cultural shifts and artistic developments. The central question posed is whether the "death of art" indicates the cessation of art as traditionally conceived, or if it signifies a transformation in the role and place of art within contemporary societies. The research ultimately suggests that the "death of art" is more indicative of the conclusion of particular artistic epochs rather than the absolute end of art. This concept highlights the ongoing transformations and shifts that have marked the history of art, revealing that art is in a state of perpetual redefinition and reconstruction. The "death of art" does not denote its annihilation; rather, it signifies the evolving modes of existence and representation of art in the contemporary world. Art continues to adapt to the changes of the times, manifesting in new forms and expressions that resonate with the demands and expectations of modern society.