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Study of the possibility of realizing the theory of traditional art in cinema with emphasis on the opinions of Seyyed Hossein Nasr
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Mahdi Khosravi   , Masoud Naghash zade |
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Abstract: (379 Views) |
Traditionalists wrote and left behind many works on traditionalist art. Although their intellectual scope was broader than mere attention to art and covered vast aspects of life, what was important was their attention to art, which they discussed in details. According to them, an idea like, there is no place for art for art's sake; in fact, from the traditionalist point of view, art is a window into the Holy Land through the recollection of the infinite and absolute of this supreme truth. One of the most important features of traditional art is order and unity, which strive to correspond to the qualitative and so-called essential dimension of the cosmic image. By paying attention to these elements, traditional and sacred art evokes and expresses sacred matter, Sacred knowledge is central to traditional theory. Through the reflection of traditional art, which is an expression of the sacred, pop artists lead people towards the ultimate and eternal truth through the knowledge of the universal divine. This sacred matter must manifest itself in mystical form in the form of a work of art. In traditional thinking, it has the conceptual form of Aristotle and Platonism, the form is the expression of the essence of the object. In traditional art, objects must move from one another to reflect unity in diversity. Now this study will study the possibility of using elements of traditional art in cinema, a modern art form that still has many limitations in recreating traditional art.
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Article number: 4 |
| Keywords: Traditional art, Sacred knowledge, cinema, expression of the sacred |
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Full-Text [PDF 514 kb]
(274 Downloads)
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Type of Study: Research |
Received: 2024/03/3 | Accepted: 2024/06/19 | Published: 2024/06/19
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